
Revolution 250 Podcast
Revolution 250 Podcast
The Fate of the Day with Rick Atkinson
For our 250th Episode, Pulitzer-prize winning author Rick Atkinson joins us to talk about his best-selling new book, The Fate of the Day: From Ticonderoga to Charleston, which focuses on the War between the British capture of Ticonderoga in 1777 to the fall of Charleston in 1780. HIs book, and our conversation, plumb the depths of the American Revolution and the characters who shaped the war. This is the second volume of his Revolutionary War trilogy, and leaves us wanting to know more.
WEBVTT
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Hello, everyone.
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Welcome to the Revolution
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Two Fifty podcast.
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This is our two hundred fiftieth episode.
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We began this journey back
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in the fall of twenty
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twenty thinking we would
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record a few episodes and
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see who listened.
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We thought we'd have a
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handful of friends and
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family tuning in periodically,
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but it's been so gratifying
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having such a wide audience
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around the world tuning in
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regularly their
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conversations about the
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American Revolution.
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And for two hundred fiftieth episode,
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we have a very special guest,
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Rick Atkinson, who is the
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In the midst of writing a
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trilogy on the American Revolution,
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The Fate of the Day is the current volume,
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the tremendous work,
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it's The War for America
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from Fort Ticonderoga to Charleston,
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volume one covered from
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Lexington and Concord to
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the crossing of the Delaware.
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And so Rick,
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thank you so much for joining us.
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Well, thank you, Bob.
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Thanks for having me.
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And congratulations on your
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own semi-quincentennial
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with the broadcast.
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That is really a milestone.
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It really is.
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It really is.
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It's been fun working on it
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and getting to talk to folks like you.
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We've had Gordon Wood, Mary Beth Norton,
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lots of reenactors, museum folks,
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and generating excitement,
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interest in this is really
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what we're doing.
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And let me just give our
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audience a brief rundown of
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some of your credentials.
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Born in Washington, lives in Washington.
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Actually, no, you're born in Munich.
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I'm sorry.
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See, I'm screwing it up already.
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Born in Munich.
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Lived in Washington for many
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years and began your career
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as a journalist in Kansas
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and spent many years with
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the Washington Post before
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you got into actually writing history.
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You wrote a tremendous
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trilogy on the Second World War.
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You've also written about
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the Iraq War and the Vietnam War.
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So I guess one question I have,
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you really have done a
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great job of looking at
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these twentieth century wars,
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and what drew you back to
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the eighteenth century and
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the American Revolution?
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Yes,
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I had written both as a journalist and
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a foreign correspondent,
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war correspondent,
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about more contemporary wars,
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including covering our
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military operations in
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places like Somalia, Iraq, Afghanistan.
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You know,
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having written books about
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twentieth and early
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twenty-first century wars
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and spent so much time with
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the latter-day military,
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I kept harkening back,
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wondering about origins.
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Where did they come from?
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Where did these militaries come from?
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Where did that army come from?
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The ethic of the army,
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the traditions of the army,
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capabilities of the army.
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And, you know, since I was a kid,
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I suspect you're the same way.
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I've had a native interest
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in the American Revolution.
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I can remember being in
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eighth grade at George S. Patton Jr.
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Junior High School in Fort Worth,
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North Kansas.
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My father was an army
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officer and encountering
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Benedict Arnold for the first time.
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And, you know,
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he's a pretty arresting figure.
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And once you are exposed to
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somebody like that,
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you want to know more.
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So when I finished with the
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World War II trilogy,
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which took me the better
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part of fifteen years casting about,
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I settled on the Revolution.
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And I think it helps that
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you have this background
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actually covering contemporary military.
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You really get into a sense
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of what not only battles were like,
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but what life was like,
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both for soldiers and for
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people on the home front.
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Yes,
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I do think that having spent a fair
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amount of time in the field,
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having grown up in the Army,
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I speak the language, I know the slang,
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I know the acronyms,
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I know the difference
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between an
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M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M-M
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Fort Campbell,
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Kentucky to go off what
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turned out to be the
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invasion of Iraq in two
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thousand and three.
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And I think, you know, watching Petraeus,
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watching that unit,
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the storied hundred and
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first airborne going to
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combat informs my writing
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about even the historical
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army of the seventeen seventies.
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I see things about leadership.
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I see little things like
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light discipline and sleep discipline,
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which are important for
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units in combat that are
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certainly applicable to the
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American Revolution and
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would be entirely
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recognizable to Thucydides
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for that matter.
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Right, right, yeah.
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You talk about leadership a lot.
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I wonder if you could just
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kind of tell us who do you
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think were the best,
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and maybe we could also
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talk about who were the
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worst on each side as
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you've been looking.
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You really do a very fair
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job of looking at all of the leaders,
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the French, the British, the German,
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the American, and assessing them,
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but not hitting us over the head with it,
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letting us see,
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showing rather than telling.
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But in your judgment then, who are
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some of the best of the
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leaders that you've
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encountered in the Revolution.
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Yeah, you know, it's one of the privileges,
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as you well know,
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in doing this kind of work
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is to be able to live with
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them and to make assessments by them.
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And show,
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don't tell is the mantra of the
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good narrative writer,
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as you rightly invoke.
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You know, I think on the American side,
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you have to start with Washington.
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He's all in the tent.
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He's the proverbial indispensable man.
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And I think it's true.
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He is the indispensable man.
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I recognize that he is not a
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particularly gifted tactician.
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He makes mistakes.
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He misreads the ground at Long Island,
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for example.
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Doesn't go out and look at
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the ground himself.
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This is a guy who used to be a surveyor.
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He's keenly interested in
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studying the terrain.
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He doesn't do it.
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He gets outflanked.
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The British are behind him.
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He nearly loses the army.
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What happens again at
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Brandywine a year later?
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You begin to think,
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and some others at the time
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began to think, what is it with this guy?
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Has he got the right stuff?
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Well,
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he's got a number of other attributes
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that cannot be easily dismissed.
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Certainly,
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he redeems himself on occasion
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as a tactician, as a strategist.
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He's in...
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the saddle for eight years.
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He only goes home to Mount
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Vernon once in those whole eight years,
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and that's a very brief visit.
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He's robust.
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He never seems to catch cold.
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He's very important in an
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age when typhus and
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smallpox and dysentery kill
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thousands of soldiers.
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He's got, like Eisenhower,
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with whom I spent fifteen
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years metaphorically,
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He's got a great clarity of expression,
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both in writing and orally.
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You rarely leave his
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presence without
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understanding what it is
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that the commander in chief intends.
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What is his intent?
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That's a virtue.
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He's courageous.
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He leads from the front all too often.
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Bullets nicking around him.
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He's lucky,
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which is the trait that
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Napoleon most cherished in his generals.
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Not to be undervalued in
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life and certainly not to
00:07:45.987 --> 00:07:47.487
be undervalued in military leaders.
00:07:48.208 --> 00:07:50.889
So I would start with Washington.
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Others who catch my eye,
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I think Nathaniel Green,
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second only to Washington.
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Excuse me, as the indispensable man.
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Yeah, and in this book,
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he's the quartermaster,
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and he laments that no
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one's ever heard about a
00:08:05.437 --> 00:08:06.699
quartermaster in history,
00:08:06.718 --> 00:08:08.720
but Washington puts him in that position.
00:08:09.161 --> 00:08:09.581
I have to say,
00:08:09.661 --> 00:08:11.521
one thing you do in this book,
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which is good,
00:08:12.663 --> 00:08:14.463
I see a lot of books that say, okay,
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Green became the quartermaster,
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and that was really a good thing.
00:08:18.987 --> 00:08:20.788
You really explain what he
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does and why it was important.
00:08:24.130 --> 00:08:24.512
Yeah,
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because it's critically important to
00:08:26.192 --> 00:08:26.872
the cause.
00:08:27.774 --> 00:08:27.853
Yeah,
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it's in The Grim Winter at Valley Forge.
00:08:30.735 --> 00:08:30.815
Yeah.
00:08:31.507 --> 00:08:35.970
In it's early, the army's falling apart.
00:08:36.029 --> 00:08:37.890
The supply system has collapsed.
00:08:39.191 --> 00:08:40.591
Washington turns to him and says,
00:08:40.652 --> 00:08:41.312
I need you to be my
00:08:41.331 --> 00:08:42.293
quartermaster general.
00:08:42.493 --> 00:08:42.932
Green says,
00:08:42.972 --> 00:08:44.874
I don't want to nobody in history,
00:08:44.994 --> 00:08:45.494
as you say,
00:08:45.514 --> 00:08:46.173
has ever heard of a
00:08:46.193 --> 00:08:47.835
quartermaster general quote unquote,
00:08:48.875 --> 00:08:50.155
Washington says, you gotta,
00:08:50.336 --> 00:08:51.397
I need you to do this.
00:08:52.096 --> 00:08:54.418
And so out of loyalty to Washington,
00:08:54.498 --> 00:08:56.399
loyalty to the cause loyalty to the army.
00:08:57.162 --> 00:08:58.182
Green does it for a couple
00:08:58.202 --> 00:08:58.962
of years and he's really
00:08:58.982 --> 00:08:59.783
quite brilliant at it.
00:09:00.183 --> 00:09:01.825
He's got a big brain
00:09:01.965 --> 00:09:03.605
organized for executive
00:09:03.725 --> 00:09:05.125
action like Washington's.
00:09:06.427 --> 00:09:07.807
He takes responsibility.
00:09:07.908 --> 00:09:11.750
He's a demon for details like Washington.
00:09:13.350 --> 00:09:14.991
He's got organizational gifts.
00:09:16.013 --> 00:09:17.572
So, you know,
00:09:17.613 --> 00:09:20.294
we see him take on this unorthodox role.
00:09:20.850 --> 00:09:22.511
that he doesn't want to do,
00:09:22.591 --> 00:09:23.491
but he does it.
00:09:23.552 --> 00:09:24.952
And then, of course,
00:09:25.332 --> 00:09:26.114
he's going to go back to
00:09:26.153 --> 00:09:27.033
the field and he's going to
00:09:27.073 --> 00:09:28.975
be the preeminent field
00:09:29.014 --> 00:09:30.556
commander for the last
00:09:30.615 --> 00:09:31.515
couple years of the war
00:09:31.535 --> 00:09:33.716
when the war moves almost entirely south.
00:09:33.756 --> 00:09:34.717
And there he is.
00:09:34.738 --> 00:09:36.139
That's volume three, right?
00:09:36.158 --> 00:09:36.918
That is volume three.
00:09:36.938 --> 00:09:37.839
Yeah, we're not going to spoil that one.
00:09:37.860 --> 00:09:37.940
Yeah.
00:09:37.960 --> 00:09:39.200
Yeah, that's right.
00:09:41.280 --> 00:09:42.522
Any others that strike you?
00:09:42.562 --> 00:09:42.761
I mean,
00:09:42.902 --> 00:09:45.222
Washington and Greene are really
00:09:46.104 --> 00:09:46.783
essential,
00:09:47.043 --> 00:09:48.485
but then how many others do you
00:09:48.504 --> 00:09:48.825
think are?
00:09:49.171 --> 00:09:50.812
yeah well you know one of
00:09:50.851 --> 00:09:51.692
the things that washington
00:09:51.731 --> 00:09:52.692
does really well he has a
00:09:52.751 --> 00:09:53.912
good eye for subordinate
00:09:53.932 --> 00:09:56.273
talents yeah he sees this
00:09:57.033 --> 00:09:57.993
twenty-five-year-old
00:09:58.092 --> 00:09:59.033
overweight boston
00:09:59.073 --> 00:10:01.053
bookseller yeah named henry
00:10:01.073 --> 00:10:02.955
knox yeah somehow into its
00:10:02.975 --> 00:10:04.375
yes doesn't even have a
00:10:04.514 --> 00:10:06.596
uniform at the time yeah uh
00:10:06.615 --> 00:10:07.716
but he's got a genius for
00:10:07.775 --> 00:10:08.975
gunnery and washington
00:10:09.015 --> 00:10:09.817
intuits that he's going to
00:10:09.836 --> 00:10:10.756
be the father of american
00:10:10.777 --> 00:10:13.998
artillery so he he's quite
00:10:14.158 --> 00:10:15.738
critical to the cause and
00:10:15.758 --> 00:10:16.938
to washington he's of
00:10:16.979 --> 00:10:17.879
course going to serve as
00:10:19.014 --> 00:10:22.038
Secretary of War in Washington's cabinet.
00:10:23.039 --> 00:10:23.400
You know,
00:10:23.561 --> 00:10:25.082
we have to mention Benedict Arnold.
00:10:25.102 --> 00:10:25.543
Sure.
00:10:25.562 --> 00:10:25.743
Oh, yeah.
00:10:26.703 --> 00:10:27.745
He's the best tactical
00:10:27.785 --> 00:10:28.907
commander on either side in
00:10:28.927 --> 00:10:30.067
the first couple of years of the war.
00:10:31.206 --> 00:10:32.245
born to lead other men in
00:10:32.265 --> 00:10:33.106
the dark of night.
00:10:33.687 --> 00:10:37.628
He's got great capacity to inspire,
00:10:37.668 --> 00:10:38.707
to lead from the front.
00:10:38.788 --> 00:10:40.989
He's extremely aggressive.
00:10:41.548 --> 00:10:42.869
Washington recognizes all of
00:10:42.889 --> 00:10:43.328
this quite quickly.
00:10:45.710 --> 00:10:49.071
And appreciates Arnold's
00:10:49.990 --> 00:10:54.352
and is a protector of Arnold,
00:10:54.373 --> 00:10:55.094
because there are always
00:10:55.214 --> 00:10:57.095
lesser men nattering at his heels.
00:10:57.735 --> 00:10:59.796
He's feuding with Congress.
00:11:00.296 --> 00:11:01.697
He feels underappreciated.
00:11:01.736 --> 00:11:02.937
He is underappreciated.
00:11:02.957 --> 00:11:05.798
And Washington is his patron,
00:11:05.818 --> 00:11:07.179
his rabbi of sorts.
00:11:08.539 --> 00:11:10.620
So, you know, we have to mention him.
00:11:12.001 --> 00:11:15.384
I think of those who are perhaps mobile,
00:11:17.905 --> 00:11:19.907
were over praised.
00:11:21.947 --> 00:11:22.347
You know,
00:11:22.528 --> 00:11:26.350
John Sullivan is a New Hampshire lawyer.
00:11:27.330 --> 00:11:28.451
And boy, is he a lawyer.
00:11:30.071 --> 00:11:31.851
He's Washington,
00:11:33.232 --> 00:11:36.614
who rarely has his inner
00:11:36.693 --> 00:11:38.215
circle fall out of favor.
00:11:38.294 --> 00:11:39.815
He's loyal to a fault.
00:11:40.535 --> 00:11:41.296
I think he's loyal to a
00:11:41.336 --> 00:11:42.395
fault with John Sullivan.
00:11:43.456 --> 00:11:45.758
He becomes a major general.
00:11:46.624 --> 00:11:49.184
He's involved in a lot of scraps.
00:11:49.384 --> 00:11:50.966
He's captured at Long Island.
00:11:54.048 --> 00:11:55.869
He's pretty clumsy at Long Island.
00:11:56.528 --> 00:11:57.470
He's exchanged.
00:11:58.470 --> 00:12:00.671
He leads a large raid on
00:12:00.730 --> 00:12:02.851
Staten Island that goes bad.
00:12:04.173 --> 00:12:05.634
He's at Brandywine.
00:12:06.333 --> 00:12:08.235
If anyone deserves fault
00:12:08.274 --> 00:12:10.495
besides Washington, it's Sullivan,
00:12:10.895 --> 00:12:12.437
who misreads the ground,
00:12:12.476 --> 00:12:14.097
doesn't realize he's getting outflanked.
00:12:16.014 --> 00:12:18.596
So we see Sullivan screwing
00:12:18.677 --> 00:12:19.596
up again and again.
00:12:19.697 --> 00:12:22.078
When Washington launches the
00:12:22.119 --> 00:12:25.100
biggest campaign of the year,
00:12:25.140 --> 00:12:26.282
which is not against the British,
00:12:26.341 --> 00:12:28.363
it's against the Iroquois,
00:12:29.384 --> 00:12:30.783
it's a punitive expedition
00:12:31.365 --> 00:12:33.605
into western New York,
00:12:35.027 --> 00:12:37.089
Washington gives the command to Sullivan.
00:12:37.389 --> 00:12:38.489
And, you know,
00:12:38.509 --> 00:12:40.049
they burn forty Iroquois
00:12:40.070 --> 00:12:41.630
villages and they chase the
00:12:41.672 --> 00:12:42.351
Indians around.
00:12:43.471 --> 00:12:46.053
Um, it's largely unsuccessful.
00:12:47.154 --> 00:12:49.417
He doesn't, uh, he doesn't finish the job,
00:12:49.596 --> 00:12:51.317
the retreat to the St.
00:12:51.357 --> 00:12:52.318
Lawrence river Valley,
00:12:53.059 --> 00:12:54.181
and they're going to begin
00:12:54.441 --> 00:12:56.582
almost immediately launching raids again,
00:12:56.923 --> 00:12:58.784
South to the Mohawk Valley.
00:13:00.005 --> 00:13:02.607
And, and so, you know, Sullivan,
00:13:02.687 --> 00:13:04.429
I think is somebody who's
00:13:04.590 --> 00:13:06.291
really overrated and
00:13:06.672 --> 00:13:07.532
shouldn't have been given
00:13:07.793 --> 00:13:08.894
all the responsibilities
00:13:08.913 --> 00:13:09.573
that he was given.
00:13:09.594 --> 00:13:09.693
Okay.
00:13:11.238 --> 00:13:13.179
We're talking with Rick Atkinson,
00:13:13.220 --> 00:13:15.000
whose new book is Fate of the Day,
00:13:15.061 --> 00:13:16.182
The War for America,
00:13:16.221 --> 00:13:19.563
Fort Ticonderoga to Charleston,
00:13:19.644 --> 00:13:21.105
it's part of a trilogy.
00:13:21.144 --> 00:13:22.767
The first was The British Are Coming,
00:13:23.746 --> 00:13:26.369
The War of American Independence,
00:13:26.389 --> 00:13:28.190
which really is a, I mean,
00:13:28.230 --> 00:13:30.251
your first book was tremendous.
00:13:30.272 --> 00:13:32.092
This one is also a bestseller,
00:13:32.133 --> 00:13:32.974
and it's really doing a lot
00:13:32.994 --> 00:13:34.195
to draw attention to this.
00:13:34.254 --> 00:13:35.216
I know you've also been
00:13:35.255 --> 00:13:37.376
involved with Ken Burns' project, too.
00:13:39.195 --> 00:13:40.056
tell the story of the
00:13:40.076 --> 00:13:41.697
American Revolution for
00:13:41.777 --> 00:13:42.658
people who are not
00:13:42.697 --> 00:13:45.399
professional historians?
00:13:45.440 --> 00:13:45.899
Yes.
00:13:46.500 --> 00:13:48.543
It's been a real pleasure
00:13:48.582 --> 00:13:50.283
for more than three years now.
00:13:51.205 --> 00:13:55.207
Burns' next big project is a film,
00:13:55.227 --> 00:13:57.109
a documentary on the American Revolution.
00:13:58.510 --> 00:14:00.472
six parts, twelve hours total.
00:14:00.932 --> 00:14:04.235
It'll air on PBS in mid November.
00:14:04.255 --> 00:14:05.136
It starts on November
00:14:05.177 --> 00:14:06.979
sixteenth and I've been
00:14:07.019 --> 00:14:09.100
involved reading scripts
00:14:09.260 --> 00:14:11.322
and viewing the rough cut
00:14:13.104 --> 00:14:15.125
on camera quite a bit and
00:14:15.365 --> 00:14:16.586
now helping him to promote it.
00:14:16.626 --> 00:14:17.067
He's on a
00:14:18.792 --> 00:14:21.613
whirlwind breakneck tour of
00:14:21.852 --> 00:14:23.913
about twenty-some cities,
00:14:24.073 --> 00:14:26.173
promoting it on behalf of PBS,
00:14:26.214 --> 00:14:28.154
which is besieged now, as you know.
00:14:29.115 --> 00:14:31.556
And it's a beautiful thing that he's made.
00:14:32.856 --> 00:14:34.657
He's got challenges, obviously.
00:14:34.697 --> 00:14:36.597
There are no living veterans.
00:14:36.638 --> 00:14:39.379
There are no photographs.
00:14:39.399 --> 00:14:41.479
So he's got to fill that
00:14:41.519 --> 00:14:42.840
twelve hours of airtime in
00:14:43.480 --> 00:14:44.299
innovative ways.
00:14:44.460 --> 00:14:45.000
And he does.
00:14:45.061 --> 00:14:46.280
It's very comprehensive.
00:14:47.010 --> 00:14:48.552
He tells the story not just
00:14:48.652 --> 00:14:50.573
of the Continental Army and
00:14:50.634 --> 00:14:52.754
the guys we've been talking about,
00:14:52.875 --> 00:14:57.018
but he also doesn't neglect the enslaved.
00:14:57.038 --> 00:14:59.220
He doesn't neglect women.
00:15:00.299 --> 00:15:01.860
He looks on the other side of the hill,
00:15:02.241 --> 00:15:04.623
as I also try to do,
00:15:04.763 --> 00:15:05.783
to see what it is that the
00:15:05.823 --> 00:15:07.044
British are doing, and then, of course,
00:15:07.832 --> 00:15:09.192
it becomes a global war with
00:15:09.212 --> 00:15:11.433
the French coming into it on our behalf,
00:15:11.553 --> 00:15:13.615
then the Spanish, eventually the Dutch.
00:15:14.315 --> 00:15:16.335
So it is a sweeping
00:15:16.575 --> 00:15:19.176
panoramic view that happens
00:15:19.196 --> 00:15:20.936
to be beautifully
00:15:21.216 --> 00:15:25.217
photographed and masterfully told.
00:15:25.238 --> 00:15:26.398
I think that people are
00:15:26.437 --> 00:15:30.719
really going to be quite dazzled by it.
00:15:30.818 --> 00:15:31.859
And speaking of looking at
00:15:31.879 --> 00:15:32.600
things from somewhat
00:15:32.639 --> 00:15:34.360
different perspectives, your book,
00:15:34.886 --> 00:15:36.128
begins at Versailles with
00:15:36.188 --> 00:15:37.730
Marie Antoinette and really
00:15:37.971 --> 00:15:40.552
ends with the Gordon riots in London.
00:15:40.572 --> 00:15:41.875
And I'm wondering about
00:15:41.914 --> 00:15:43.155
those choices of the
00:15:43.196 --> 00:15:44.418
beginning and ending points.
00:15:44.457 --> 00:15:46.340
Why Marie Antoinette at Versailles?
00:15:46.360 --> 00:15:46.519
Yeah.
00:15:46.639 --> 00:15:49.623
Well, Marie Antoinette, of course,
00:15:49.644 --> 00:15:50.524
is the queen of France.
00:15:50.565 --> 00:15:51.885
She's an Austrian
00:15:52.606 --> 00:15:54.149
spendthrift known around
00:15:54.168 --> 00:15:56.091
the French court as Madame Deficit.
00:15:57.274 --> 00:15:59.297
uh and I start with her uh
00:15:59.898 --> 00:16:02.501
um in uh the early spring
00:16:02.562 --> 00:16:06.287
of that's first of all
00:16:06.346 --> 00:16:07.948
where the first volume the
00:16:07.969 --> 00:16:08.931
british are coming leaves
00:16:09.130 --> 00:16:11.855
off at that time frame um
00:16:13.668 --> 00:16:15.529
It's critical to understand
00:16:15.570 --> 00:16:16.429
that the game for the
00:16:16.470 --> 00:16:17.831
Americans at this point is
00:16:17.870 --> 00:16:19.511
to get the French to come
00:16:19.552 --> 00:16:21.471
into the war with both feet.
00:16:22.472 --> 00:16:25.073
They have provided clandestine support,
00:16:26.173 --> 00:16:27.095
gunpowder,
00:16:27.495 --> 00:16:29.296
munitions of various sorts
00:16:30.676 --> 00:16:31.496
under the table.
00:16:32.057 --> 00:16:33.278
The British are aware of it,
00:16:33.477 --> 00:16:36.719
but it's relatively minor,
00:16:36.778 --> 00:16:37.779
although important given
00:16:38.399 --> 00:16:39.620
how little gunpowder the
00:16:39.639 --> 00:16:40.941
Americans have in general.
00:16:42.760 --> 00:16:46.182
The task of getting the
00:16:46.363 --> 00:16:51.807
regime of Louis XVI, Roman Catholic,
00:16:52.067 --> 00:16:53.148
absolute monarchy,
00:16:54.609 --> 00:16:56.629
to come in on behalf of
00:16:57.530 --> 00:16:59.331
Protestant wannabe
00:16:59.371 --> 00:17:02.413
Republicans intent on armed
00:17:02.474 --> 00:17:04.395
insurrection against their lawful monarch,
00:17:04.796 --> 00:17:07.678
that's a big diplomatic lift.
00:17:08.586 --> 00:17:10.107
And the guy responsible for
00:17:10.587 --> 00:17:11.548
making that happen
00:17:11.689 --> 00:17:14.529
diplomatically is Benjamin Franklin.
00:17:14.549 --> 00:17:15.830
Franklin has arrived in
00:17:15.871 --> 00:17:17.352
Paris in December of,
00:17:17.412 --> 00:17:20.453
and we see right at the
00:17:21.374 --> 00:17:23.194
opening of this new book, first of all,
00:17:23.234 --> 00:17:25.135
we're introduced to Louis
00:17:25.296 --> 00:17:26.376
XVI and the queen.
00:17:27.698 --> 00:17:30.419
We've given enough background, I hope,
00:17:30.439 --> 00:17:31.079
to understand
00:17:32.042 --> 00:17:33.884
why he would be tempted to do this,
00:17:34.565 --> 00:17:35.924
why Franklin's
00:17:36.486 --> 00:17:38.747
administrations actually
00:17:38.846 --> 00:17:39.968
work in the long run,
00:17:41.409 --> 00:17:45.250
why he would risk his regime,
00:17:45.691 --> 00:17:47.633
his position to
00:17:48.788 --> 00:17:50.190
go to war against Britain,
00:17:50.490 --> 00:17:51.451
hereditary enemy.
00:17:51.471 --> 00:17:54.634
They've already fought four wars,
00:17:55.615 --> 00:17:57.717
dynastic wars against Britain.
00:17:57.757 --> 00:17:58.738
Why would he do it again?
00:17:58.857 --> 00:17:59.117
Well,
00:17:59.678 --> 00:18:02.141
I think it's important to grasp that
00:18:02.201 --> 00:18:03.582
and to grasp the importance
00:18:03.682 --> 00:18:04.883
of Franklin's mission.
00:18:04.903 --> 00:18:06.884
Because what we're going to
00:18:06.924 --> 00:18:08.526
see is that he's successful,
00:18:08.566 --> 00:18:10.227
that he is able...
00:18:11.067 --> 00:18:13.349
After the American victory
00:18:13.369 --> 00:18:15.432
at Saratoga in September
00:18:15.471 --> 00:18:18.294
and October of seventeen seventy seven,
00:18:18.773 --> 00:18:20.395
he's able to persuade the
00:18:20.435 --> 00:18:22.757
king that the best way to
00:18:22.856 --> 00:18:24.778
stick it to their hereditary enemy,
00:18:25.159 --> 00:18:25.579
Great Britain,
00:18:26.400 --> 00:18:27.881
is to assist the Americans
00:18:27.921 --> 00:18:29.021
who are themselves trying
00:18:29.041 --> 00:18:30.103
to stick it to Great Britain.
00:18:30.303 --> 00:18:31.064
Right.
00:18:31.084 --> 00:18:33.286
The enemy of my enemy is my friend.
00:18:33.526 --> 00:18:33.665
Right.
00:18:35.036 --> 00:18:39.259
So that's why we open at Versailles,
00:18:39.299 --> 00:18:41.583
seeing this dynamic begin to play out.
00:18:41.643 --> 00:18:41.722
Yeah.
00:18:43.423 --> 00:18:45.645
And then London in, I mean,
00:18:45.665 --> 00:18:48.288
the Gordon riots are really
00:18:48.308 --> 00:18:49.130
a phenomenal thing.
00:18:49.170 --> 00:18:50.030
And here we really see the
00:18:50.070 --> 00:18:51.491
character of George III in
00:18:51.531 --> 00:18:52.173
a different way.
00:18:52.212 --> 00:18:54.214
He becomes the guy really
00:18:54.295 --> 00:18:55.635
helping to put down this
00:18:56.297 --> 00:18:57.657
very serious rebellion.
00:18:57.758 --> 00:18:58.558
And you're going to see
00:18:58.598 --> 00:18:59.500
repercussions of this
00:19:00.200 --> 00:19:02.000
in British politics over the
00:19:02.020 --> 00:19:03.662
next generation or so.
00:19:04.882 --> 00:19:05.922
It happens they have this
00:19:05.981 --> 00:19:08.323
kind of crazy George Gordon
00:19:08.363 --> 00:19:10.124
who's the leader of it,
00:19:10.223 --> 00:19:13.486
but you also have these class issues,
00:19:13.566 --> 00:19:15.185
political issues springing
00:19:15.326 --> 00:19:17.846
up in British society
00:19:18.407 --> 00:19:19.528
during the course of this
00:19:19.768 --> 00:19:21.009
war that's going kind of
00:19:21.048 --> 00:19:22.469
badly for Britain and America.
00:19:23.690 --> 00:19:25.569
Yeah, Bob, it's really quite shocking.
00:19:26.030 --> 00:19:27.631
It's the greatest civil
00:19:27.671 --> 00:19:29.152
disturbance in British history.
00:19:30.624 --> 00:19:31.505
And somewhere between eight
00:19:31.545 --> 00:19:32.384
hundred and a thousand
00:19:32.424 --> 00:19:34.365
people are killed in the Gordon riots,
00:19:36.166 --> 00:19:38.327
many of them shot by the British Army,
00:19:38.709 --> 00:19:41.190
which is mustered to put
00:19:41.230 --> 00:19:46.752
down this week long spree
00:19:46.873 --> 00:19:49.673
that results in many, many fires.
00:19:50.493 --> 00:19:52.515
The greatest destruction to
00:19:52.615 --> 00:19:55.537
London until nineteen forty
00:19:55.576 --> 00:19:56.958
and the Great Blitz.
00:19:57.678 --> 00:19:59.199
That's how damaging it is.
00:20:00.402 --> 00:20:01.383
And, you know,
00:20:01.423 --> 00:20:07.205
it starts as an anti-Catholic protest.
00:20:07.566 --> 00:20:09.207
And it's inflamed by, as you say,
00:20:09.267 --> 00:20:10.887
this strange character,
00:20:11.728 --> 00:20:12.628
Lord George Gordon,
00:20:12.669 --> 00:20:13.848
who's a member of parliament,
00:20:14.490 --> 00:20:15.529
had a rich daddy.
00:20:15.609 --> 00:20:18.852
He's a wastrel of the first order.
00:20:20.212 --> 00:20:20.613
And he...
00:20:21.396 --> 00:20:22.637
is a demagogue and he
00:20:22.698 --> 00:20:25.740
manages to use the passions
00:20:26.340 --> 00:20:27.521
that are aroused when
00:20:28.002 --> 00:20:30.384
Parliament adopts some
00:20:30.444 --> 00:20:31.965
relatively minor
00:20:32.426 --> 00:20:33.346
adjustments to the
00:20:33.488 --> 00:20:35.348
anti-Catholic laws that
00:20:35.730 --> 00:20:39.512
really kept Roman Catholics in Britain
00:20:40.519 --> 00:20:41.701
as mentioned in Ireland,
00:20:41.942 --> 00:20:44.565
from fully participating as
00:20:45.125 --> 00:20:46.267
citizens of the realm.
00:20:47.448 --> 00:20:49.289
So that they're able, for example,
00:20:49.329 --> 00:20:50.611
to sell real estate,
00:20:50.991 --> 00:20:54.255
which had been prohibited.
00:20:54.295 --> 00:20:56.096
Catholic church bells are
00:20:56.116 --> 00:20:57.878
permitted to ring on certain occasions.
00:20:59.039 --> 00:21:01.663
And one of the main reasons for doing this
00:21:02.298 --> 00:21:04.900
is Roman Catholics are
00:21:05.220 --> 00:21:06.381
permitted to join the army.
00:21:06.861 --> 00:21:10.463
Now, that had been allowed,
00:21:10.503 --> 00:21:12.945
but under strict circumstances,
00:21:13.145 --> 00:21:15.067
you had to swear an oath to the king,
00:21:17.028 --> 00:21:19.509
which implied rejecting any
00:21:19.589 --> 00:21:20.451
papal allegiance.
00:21:20.471 --> 00:21:22.633
And this is all loosened
00:21:22.712 --> 00:21:24.574
slightly because the
00:21:24.594 --> 00:21:26.414
British really need more soldiers.
00:21:26.615 --> 00:21:28.037
This war has been going on
00:21:28.076 --> 00:21:29.417
now for five years.
00:21:30.137 --> 00:21:31.318
Casualties are high.
00:21:31.905 --> 00:21:36.949
cost in treasure to Britain
00:21:37.148 --> 00:21:38.609
is running very high.
00:21:38.670 --> 00:21:39.690
They're already deeply in
00:21:39.730 --> 00:21:41.632
debt from what's incurred
00:21:41.652 --> 00:21:43.011
during the Seven Years' War,
00:21:43.172 --> 00:21:44.173
where the first British
00:21:44.232 --> 00:21:45.314
Empire was created.
00:21:46.473 --> 00:21:50.676
So, excuse me,
00:21:50.696 --> 00:21:53.038
this relatively modest set
00:21:53.337 --> 00:21:58.060
of modifications to British
00:21:58.201 --> 00:21:59.902
law results in this
00:22:00.778 --> 00:22:01.559
Pandemonium.
00:22:02.661 --> 00:22:06.766
The mob gathers in early June,
00:22:07.547 --> 00:22:11.211
the mob is inflamed and
00:22:11.230 --> 00:22:12.432
they march on parliament.
00:22:13.192 --> 00:22:14.013
Members of parliament,
00:22:14.054 --> 00:22:15.154
both the House of Lords and
00:22:15.174 --> 00:22:16.016
the House of Commons are
00:22:16.056 --> 00:22:17.478
dragged from their carriages while
00:22:17.978 --> 00:22:19.398
driving through uh to
00:22:19.479 --> 00:22:20.720
parliament to and beaten uh
00:22:20.759 --> 00:22:23.582
uh and then they begin
00:22:23.622 --> 00:22:25.323
setting fires and they burn
00:22:25.502 --> 00:22:27.904
first uh uh catholic uh
00:22:29.165 --> 00:22:32.268
ministries sardinia oh wow
00:22:32.288 --> 00:22:35.349
catholic ambassadors houses
00:22:35.970 --> 00:22:37.191
and it goes on and on night
00:22:37.250 --> 00:22:41.153
after night and it requires as you say
00:22:42.983 --> 00:22:43.865
George III,
00:22:44.025 --> 00:22:45.385
who has never been in the military,
00:22:45.465 --> 00:22:47.448
unlike previous kings,
00:22:47.528 --> 00:22:49.829
he's got no real military experience,
00:22:49.869 --> 00:22:52.353
but he's always at his best
00:22:52.432 --> 00:22:54.894
when he's in a crisis.
00:22:55.275 --> 00:22:56.316
And this is a crisis.
00:22:57.698 --> 00:22:59.920
He takes command and orders
00:23:00.099 --> 00:23:01.401
the necessary legal
00:23:01.441 --> 00:23:03.462
procedures be executed so
00:23:03.502 --> 00:23:05.565
that the army can be called out,
00:23:05.605 --> 00:23:07.807
the army can fire on the mob.
00:23:09.587 --> 00:23:11.749
The malefactors can be
00:23:11.808 --> 00:23:13.088
arrested and prosecuted.
00:23:14.210 --> 00:23:17.751
He's first and foremost
00:23:17.791 --> 00:23:18.991
among those responsible for
00:23:19.012 --> 00:23:23.555
finally quelling this conflagration.
00:23:24.816 --> 00:23:26.036
There are at one point
00:23:26.476 --> 00:23:27.656
something like twenty-eight
00:23:27.696 --> 00:23:31.538
fires burning across London.
00:23:31.699 --> 00:23:34.661
We see George rise to the occasion.
00:23:37.078 --> 00:23:37.419
You know,
00:23:37.519 --> 00:23:39.818
it had come at a time when many
00:23:40.160 --> 00:23:41.519
Britons were tired of the war.
00:23:42.180 --> 00:23:43.500
They were tired.
00:23:43.859 --> 00:23:45.279
They were tired of the expenditure.
00:23:45.299 --> 00:23:46.500
Yeah.
00:23:46.520 --> 00:23:48.840
And Congress, Congress,
00:23:49.161 --> 00:23:53.321
Parliament had just passed a resolution,
00:23:53.642 --> 00:23:54.481
shocking, really,
00:23:55.001 --> 00:23:55.902
saying that the power of
00:23:55.942 --> 00:23:57.241
the king is increasing and
00:23:57.301 --> 00:23:58.123
ought to be ought to be
00:23:58.242 --> 00:23:59.103
ought to diminish.
00:23:59.282 --> 00:24:00.403
Right.
00:24:00.423 --> 00:24:00.682
Yeah.
00:24:00.923 --> 00:24:04.403
Really an unheard of to the
00:24:04.423 --> 00:24:05.203
to the monarch.
00:24:05.743 --> 00:24:05.923
And
00:24:07.215 --> 00:24:08.737
The Gordon riots and the
00:24:08.777 --> 00:24:10.478
King's role in suppressing
00:24:10.498 --> 00:24:13.861
the riots and the King's stability,
00:24:14.561 --> 00:24:16.482
which is what most Britons come to see.
00:24:16.522 --> 00:24:18.084
This guy is rock solid.
00:24:18.104 --> 00:24:20.645
And it gives new life to the
00:24:20.665 --> 00:24:23.307
regime and gives new life to the war,
00:24:23.367 --> 00:24:24.148
as it turns out.
00:24:25.809 --> 00:24:27.090
People are saying, OK, well,
00:24:27.611 --> 00:24:28.412
if we've got to keep
00:24:28.852 --> 00:24:30.133
persisting in this war,
00:24:30.252 --> 00:24:31.794
which has become a global war now,
00:24:33.355 --> 00:24:34.596
if the King says so, OK,
00:24:34.737 --> 00:24:35.376
we're good with that.
00:24:36.945 --> 00:24:39.729
It does have significant repercussions,
00:24:39.808 --> 00:24:40.369
as you say.
00:24:41.431 --> 00:24:43.192
So we're talking with Rick Atkinson,
00:24:43.393 --> 00:24:45.295
author of The Fate of the Day,
00:24:45.355 --> 00:24:46.616
The War for America from
00:24:46.656 --> 00:24:48.398
Fort Ticonderoga to Charleston,
00:24:48.939 --> 00:24:50.000
or sets from seventeen
00:24:50.040 --> 00:24:52.242
seventy seven to seventeen eighty.
00:24:53.104 --> 00:24:53.263
And.
00:24:55.685 --> 00:24:57.027
One of the things that's really striking,
00:24:57.047 --> 00:24:57.686
I mean,
00:24:57.727 --> 00:24:59.768
you were briefly toyed with the
00:24:59.807 --> 00:25:01.449
idea of becoming an English
00:25:01.509 --> 00:25:02.869
professor and one imagines
00:25:02.930 --> 00:25:03.750
both what your life would
00:25:03.769 --> 00:25:05.030
have been like and what the
00:25:06.530 --> 00:25:08.471
history would be like without you in it.
00:25:09.053 --> 00:25:10.873
And so one of the things
00:25:10.893 --> 00:25:12.153
that does show in this book
00:25:12.173 --> 00:25:13.115
and not in a heavy handed
00:25:13.154 --> 00:25:14.075
way is you're really
00:25:14.115 --> 00:25:15.395
careful with words and with
00:25:15.415 --> 00:25:16.715
how you structure a story.
00:25:16.736 --> 00:25:17.457
So I wonder if we could talk
00:25:17.477 --> 00:25:18.017
a little bit about
00:25:18.694 --> 00:25:19.576
Who are some of the writers
00:25:19.615 --> 00:25:21.518
you look to for influence
00:25:21.617 --> 00:25:23.559
or who have inspired you along the way,
00:25:23.599 --> 00:25:25.041
either writers of history
00:25:25.061 --> 00:25:26.063
or writers of fiction?
00:25:26.663 --> 00:25:28.025
Yeah, you're right.
00:25:28.345 --> 00:25:29.486
I thought I was on a
00:25:30.086 --> 00:25:31.607
trajectory to teach college
00:25:31.688 --> 00:25:34.490
English and I was in
00:25:34.530 --> 00:25:37.875
graduate school in English
00:25:37.974 --> 00:25:39.256
at University of Chicago.
00:25:40.310 --> 00:25:42.872
And to be honest, first of all,
00:25:43.011 --> 00:25:44.692
there were no jobs at that time.
00:25:44.712 --> 00:25:46.292
It was the mid-Nineteen Seventies.
00:25:46.593 --> 00:25:47.953
It was a real act of faith
00:25:47.973 --> 00:25:50.154
to continue on with a PhD.
00:25:50.694 --> 00:25:52.415
And for me, it seemed a little sedentary.
00:25:52.476 --> 00:25:53.836
I just couldn't quite see
00:25:53.875 --> 00:25:57.998
myself in the academy smoking a pipe.
00:25:58.637 --> 00:26:00.519
thinking large thoughts about literature.
00:26:00.720 --> 00:26:01.619
Yeah.
00:26:01.681 --> 00:26:03.182
As much as I admire those
00:26:03.221 --> 00:26:05.523
who do and that lifestyle.
00:26:07.025 --> 00:26:08.385
So, you know, I wander off,
00:26:08.425 --> 00:26:10.086
I get a job in the newspaper business.
00:26:10.146 --> 00:26:10.948
I like it.
00:26:11.147 --> 00:26:12.108
I'm pretty good at it.
00:26:12.189 --> 00:26:14.371
And I persist in it for, you know,
00:26:15.030 --> 00:26:16.512
basically at least half a career.
00:26:16.853 --> 00:26:16.952
Yeah.
00:26:18.455 --> 00:26:21.417
But I also wanted to write,
00:26:21.518 --> 00:26:23.319
and I wanted to write books.
00:26:23.539 --> 00:26:26.221
And twice I took leave from
00:26:26.241 --> 00:26:27.923
the Washington Post and wrote books,
00:26:28.044 --> 00:26:28.824
one about the West Point
00:26:28.864 --> 00:26:30.905
class of the year,
00:26:31.066 --> 00:26:32.047
which lost more men in
00:26:32.086 --> 00:26:33.788
Vietnam than any West Point class.
00:26:34.568 --> 00:26:36.270
And the other about the Persian Gulf War,
00:26:36.330 --> 00:26:37.912
which I've been involved
00:26:37.932 --> 00:26:38.873
with as a journalist.
00:26:42.353 --> 00:26:44.635
You know, and then in nineteen ninety nine,
00:26:44.695 --> 00:26:45.916
I think it was I decided to
00:26:45.957 --> 00:26:47.438
take a flyer and basically
00:26:47.519 --> 00:26:48.480
quit my day job.
00:26:48.539 --> 00:26:50.541
And I took this project of
00:26:50.561 --> 00:26:51.942
writing about the American
00:26:51.982 --> 00:26:52.743
role in the liberation of
00:26:52.804 --> 00:26:53.884
Europe in World War Two.
00:26:53.904 --> 00:26:55.267
You know,
00:26:55.467 --> 00:26:57.669
the influences on me when I was
00:26:58.690 --> 00:27:00.311
an English major,
00:27:00.332 --> 00:27:01.432
an English graduate student.
00:27:02.296 --> 00:27:03.457
I loved American literature,
00:27:03.477 --> 00:27:04.656
and that was my focus.
00:27:05.538 --> 00:27:06.939
Faulkner was somebody that I
00:27:07.019 --> 00:27:09.640
read repeatedly.
00:27:12.642 --> 00:27:13.521
I don't think Faulkner's
00:27:13.541 --> 00:27:15.423
writing style would work for a historian,
00:27:15.962 --> 00:27:18.065
but- It's great, great stuff.
00:27:18.444 --> 00:27:19.404
It is great stuff.
00:27:19.444 --> 00:27:20.266
It is great stuff,
00:27:20.346 --> 00:27:22.267
and it's great storytelling.
00:27:22.287 --> 00:27:23.548
Right, yeah.
00:27:23.728 --> 00:27:25.067
And it's great character building.
00:27:26.009 --> 00:27:27.189
And these are things that
00:27:27.209 --> 00:27:29.270
are transferable to writing
00:27:29.290 --> 00:27:29.931
about history.
00:27:30.657 --> 00:27:31.198
or should be.
00:27:32.519 --> 00:27:33.778
As a historian,
00:27:33.838 --> 00:27:36.599
and even before I took it on full time,
00:27:37.260 --> 00:27:38.800
you know, I, Shelby Foote,
00:27:39.260 --> 00:27:41.241
his trilogy on the Civil War,
00:27:41.261 --> 00:27:43.323
I go back periodically and
00:27:43.343 --> 00:27:44.482
read his eighty pages on
00:27:44.544 --> 00:27:46.064
Gettysburg just because
00:27:47.525 --> 00:27:51.006
it's eloquently done, the language.
00:27:51.445 --> 00:27:53.567
Now, those three volumes,
00:27:53.987 --> 00:27:54.907
three thousand pages
00:27:54.928 --> 00:27:55.948
without a single footnote,
00:27:55.968 --> 00:27:58.388
I don't get away with that today.
00:27:58.409 --> 00:27:58.449
No.
00:27:59.373 --> 00:28:01.255
um it's he does not adhere
00:28:01.295 --> 00:28:02.736
to the strictures of the
00:28:02.776 --> 00:28:04.277
academy which I do and I
00:28:04.356 --> 00:28:06.438
fully endorse yeah you have
00:28:06.458 --> 00:28:07.699
a lot of footnotes which I
00:28:07.759 --> 00:28:08.519
have a lot of footnotes
00:28:08.559 --> 00:28:09.140
yeah there's two hundred
00:28:09.160 --> 00:28:10.741
pages of back matter in
00:28:11.122 --> 00:28:12.222
both of these volumes on
00:28:12.242 --> 00:28:13.824
the revolution and that's
00:28:13.864 --> 00:28:16.045
because I believe that I'm
00:28:16.846 --> 00:28:19.188
fully accountable for every
00:28:19.248 --> 00:28:20.808
fact that's in there and
00:28:22.049 --> 00:28:22.609
the way that you're
00:28:22.630 --> 00:28:24.191
accountable is you you note
00:28:24.230 --> 00:28:26.573
it and the annotations are
00:28:27.304 --> 00:28:27.804
important.
00:28:28.203 --> 00:28:29.704
Bruce Catton is another one.
00:28:30.164 --> 00:28:31.285
Bruce Catton wrote not one,
00:28:31.325 --> 00:28:34.224
but two trilogies on the Civil War.
00:28:35.465 --> 00:28:36.685
I go back periodically and
00:28:36.746 --> 00:28:38.326
reread A Stillness at Appomattox,
00:28:38.346 --> 00:28:39.547
which is the third volume
00:28:40.406 --> 00:28:41.386
in one of those trilogies.
00:28:41.626 --> 00:28:43.326
And it's just brilliant.
00:28:43.366 --> 00:28:44.428
It's beautifully written.
00:28:45.488 --> 00:28:46.968
It's concise in a way that I
00:28:47.167 --> 00:28:49.009
don't seem to be able to achieve.
00:28:50.409 --> 00:28:54.589
And it tells a story with characters
00:28:55.463 --> 00:28:57.664
in a way that taps into a
00:28:57.724 --> 00:28:59.666
deep emotional vein that I
00:28:59.686 --> 00:29:00.507
think is important when
00:29:00.527 --> 00:29:01.407
writing about war.
00:29:02.548 --> 00:29:04.549
It is a very, very emotional thing.
00:29:05.309 --> 00:29:06.730
And I don't think you
00:29:06.770 --> 00:29:09.932
capture it if you try to be
00:29:09.972 --> 00:29:10.792
too cold about it.
00:29:12.413 --> 00:29:13.575
Those are some of the, you know,
00:29:13.595 --> 00:29:14.095
there are many,
00:29:16.660 --> 00:29:18.881
My friend Sir Max Hastings
00:29:18.921 --> 00:29:21.281
has been a very successful
00:29:21.701 --> 00:29:23.623
writer of military history in Britain,
00:29:23.643 --> 00:29:25.282
a former journalist like I am.
00:29:26.364 --> 00:29:29.045
Another friend, Sir Anthony Beaver,
00:29:29.525 --> 00:29:30.865
also a really good former
00:29:30.904 --> 00:29:31.945
British Army officer,
00:29:32.486 --> 00:29:34.247
a very good military historian.
00:29:34.987 --> 00:29:36.027
These are people that I
00:29:36.227 --> 00:29:37.827
admire and I study what
00:29:37.867 --> 00:29:40.108
they do and to some extent
00:29:40.128 --> 00:29:41.088
try to emulate what they do.
00:29:43.470 --> 00:29:46.090
I'm wondering how you go about avoiding
00:29:46.888 --> 00:29:49.191
cliches that come up all the time.
00:29:49.270 --> 00:29:49.531
I mean,
00:29:49.571 --> 00:29:50.833
particularly in writing about such
00:29:50.873 --> 00:29:51.834
a well-known event,
00:29:51.894 --> 00:29:53.494
well-known series of events,
00:29:53.575 --> 00:29:54.476
and you have a way of
00:29:55.596 --> 00:29:57.159
making it a surprise and
00:29:57.278 --> 00:29:58.279
leaving us in doubt.
00:29:58.299 --> 00:29:58.500
I mean,
00:29:58.539 --> 00:29:59.820
I finished this book just as I
00:29:59.840 --> 00:30:00.701
finished the first one,
00:30:00.781 --> 00:30:02.123
wondering how either side
00:30:02.143 --> 00:30:03.124
could win this thing.
00:30:03.144 --> 00:30:10.872
And if you have any tips for writers.
00:30:11.051 --> 00:30:12.032
Yeah, I mean,
00:30:13.226 --> 00:30:14.586
David McCullough one time said,
00:30:15.166 --> 00:30:16.146
in good narrative writing,
00:30:16.166 --> 00:30:17.167
there's no such thing as a
00:30:17.248 --> 00:30:18.327
foreseeable future.
00:30:19.669 --> 00:30:21.388
I think that's a brilliant insight.
00:30:21.429 --> 00:30:23.029
It is, yeah.
00:30:23.089 --> 00:30:25.711
And I think that what he's telling us,
00:30:25.851 --> 00:30:27.912
and I try to adhere to it
00:30:27.932 --> 00:30:30.053
because he certainly is a
00:30:30.093 --> 00:30:31.232
master of the genre,
00:30:31.252 --> 00:30:33.273
both as a biographer and as a historian,
00:30:34.673 --> 00:30:39.655
that you want the reader to
00:30:40.116 --> 00:30:41.037
be in the moment.
00:30:41.771 --> 00:30:45.255
You want the reader to see it, hear it,
00:30:46.315 --> 00:30:47.776
smell it, feel it.
00:30:49.577 --> 00:30:52.160
And that requires lots of
00:30:52.200 --> 00:30:53.299
panning for a little flecks
00:30:53.340 --> 00:30:55.342
of gold in the historical record.
00:30:56.823 --> 00:31:00.125
Looking for evidence of what
00:31:00.165 --> 00:31:02.067
it did smell like and what
00:31:02.126 --> 00:31:03.288
it did sound like.
00:31:04.028 --> 00:31:05.429
Looking for evidence of what
00:31:05.950 --> 00:31:08.372
those at Brandywine or
00:31:08.432 --> 00:31:09.992
Germantown or Saratoga
00:31:10.874 --> 00:31:12.455
in the Congress or wherever,
00:31:12.476 --> 00:31:13.957
or in London or in Versailles,
00:31:14.877 --> 00:31:16.199
what they saw, what they felt.
00:31:17.721 --> 00:31:19.261
And I think if you're
00:31:19.301 --> 00:31:20.683
successful in doing that
00:31:20.723 --> 00:31:23.385
and are able to tell the story as a story,
00:31:23.506 --> 00:31:25.147
as it should be told,
00:31:25.188 --> 00:31:29.332
because it is a story, then you can,
00:31:30.413 --> 00:31:30.753
even if
00:31:31.653 --> 00:31:34.154
the reader is well-versed in
00:31:34.634 --> 00:31:36.756
this tale and knows what
00:31:36.796 --> 00:31:38.176
happens at Saratoga and
00:31:38.698 --> 00:31:41.499
knows how the revolution ends and so on,
00:31:42.180 --> 00:31:43.540
you can somehow transport
00:31:43.580 --> 00:31:45.682
them and allow them to
00:31:47.903 --> 00:31:49.064
rediscover it for the first
00:31:49.104 --> 00:31:50.765
time in some ways.
00:31:50.805 --> 00:31:52.866
To recognize, first of all,
00:31:52.886 --> 00:31:54.307
that there are little
00:31:54.327 --> 00:31:55.627
brushstrokes of detail that
00:31:55.909 --> 00:31:57.249
they've not read before.
00:31:57.269 --> 00:31:59.711
And that helps,
00:31:59.730 --> 00:32:01.051
those little flecks of gold.
00:32:02.371 --> 00:32:04.672
And second, that, you know,
00:32:04.692 --> 00:32:05.752
perhaps the characters are
00:32:05.772 --> 00:32:07.934
introduced to you in a different way,
00:32:08.115 --> 00:32:09.695
trying to avoid the
00:32:09.736 --> 00:32:13.878
stereotypes of Washington or whomever,
00:32:14.119 --> 00:32:16.181
certainly the stereotype of George III,
00:32:16.201 --> 00:32:18.242
who might take great pains
00:32:18.282 --> 00:32:21.085
to demolish the American
00:32:21.105 --> 00:32:22.766
stereotype of the king.
00:32:22.786 --> 00:32:25.688
So that, you know, those are my ambitions.
00:32:25.807 --> 00:32:26.388
And, you know,
00:32:26.429 --> 00:32:27.690
sometimes I think it works and
00:32:28.465 --> 00:32:29.346
It's up to the reader to
00:32:29.366 --> 00:32:30.527
decide whether it works
00:32:30.646 --> 00:32:32.208
sufficiently to pull it off.
00:32:32.768 --> 00:32:33.307
Right.
00:32:33.347 --> 00:32:34.169
Yeah, you bring in,
00:32:34.229 --> 00:32:35.429
you said those flecks of gold,
00:32:35.449 --> 00:32:36.170
those details,
00:32:36.190 --> 00:32:37.069
like what kind of birds
00:32:37.089 --> 00:32:37.671
they would have heard
00:32:37.711 --> 00:32:40.932
singing or what kind of plants were in,
00:32:41.031 --> 00:32:42.573
at what stage that particular time.
00:32:42.613 --> 00:32:43.973
I wonder where you get that
00:32:44.054 --> 00:32:45.874
insight into this natural world,
00:32:45.894 --> 00:32:46.394
which would have been
00:32:46.454 --> 00:32:48.796
really so apparent to them.
00:32:48.855 --> 00:32:49.816
But for us,
00:32:49.855 --> 00:32:51.136
sometimes we're looking at it
00:32:51.217 --> 00:32:52.218
from a different point of view.
00:32:52.278 --> 00:32:54.259
Don't see that world in the cinema.
00:32:54.298 --> 00:32:54.439
Yeah.
00:32:55.499 --> 00:32:57.221
Yeah, that's a good insight, Bob.
00:32:57.260 --> 00:32:58.021
I think it's true.
00:32:58.082 --> 00:32:59.163
I think their relationship
00:32:59.182 --> 00:33:00.683
to the natural world tends
00:33:00.703 --> 00:33:02.885
to be different than ours typically,
00:33:03.185 --> 00:33:04.067
certainly than mine.
00:33:05.127 --> 00:33:06.710
You know, I'm in a comfortable office.
00:33:06.730 --> 00:33:09.291
It's a really cold day in
00:33:09.593 --> 00:33:10.753
late May in Washington,
00:33:11.173 --> 00:33:12.394
and I'm not out in the world.
00:33:12.454 --> 00:33:17.680
I'm inside.
00:33:17.720 --> 00:33:18.340
You know, I
00:33:19.817 --> 00:33:21.459
I'm always looking in the
00:33:21.499 --> 00:33:22.299
historical record,
00:33:22.319 --> 00:33:23.519
whether it's in the letters
00:33:23.599 --> 00:33:24.980
or in diaries or whatever
00:33:25.060 --> 00:33:29.202
for those who record their surroundings.
00:33:30.243 --> 00:33:33.525
When I go to a place like Valley Forge,
00:33:33.565 --> 00:33:35.205
for example,
00:33:36.227 --> 00:33:38.188
or I can remember doing this
00:33:38.268 --> 00:33:39.347
on the little Neshaminy
00:33:39.387 --> 00:33:40.628
Creek where Washington was
00:33:40.689 --> 00:33:41.910
camped for several weeks
00:33:42.470 --> 00:33:43.269
before the seventeen
00:33:43.309 --> 00:33:45.290
seventy seven campaign began in earnest.
00:33:45.351 --> 00:33:47.152
It's just north of Philadelphia.
00:33:48.907 --> 00:33:50.148
I have an app on my phone
00:33:50.169 --> 00:33:51.888
that shows me what the flora is.
00:33:51.909 --> 00:33:54.069
I can take a picture and
00:33:54.131 --> 00:33:55.510
it's extraordinary.
00:33:55.530 --> 00:33:56.811
And it will tell me what it is.
00:33:57.571 --> 00:34:01.233
And I know that these plants, these trees,
00:34:02.134 --> 00:34:04.615
these shrubs, these flowers were there,
00:34:04.935 --> 00:34:06.096
two hundred fifty years ago.
00:34:07.477 --> 00:34:09.918
I know it because, for example,
00:34:09.938 --> 00:34:10.717
at Valley Forge,
00:34:11.559 --> 00:34:12.739
they take some pains to
00:34:12.759 --> 00:34:15.400
make sure that they're
00:34:15.420 --> 00:34:18.021
replicating what life was like there.
00:34:19.123 --> 00:34:21.684
They try to purge exotic
00:34:21.704 --> 00:34:23.324
plants that are invasive and so on.
00:34:24.806 --> 00:34:26.106
That I find very useful.
00:34:26.126 --> 00:34:27.545
I find it as a way to
00:34:27.626 --> 00:34:30.967
connect with those who were
00:34:30.987 --> 00:34:32.688
there two hundred and fifty years ago.
00:34:34.487 --> 00:34:35.907
There's another app that I have,
00:34:36.708 --> 00:34:37.929
and it records bird songs
00:34:37.949 --> 00:34:39.208
and tells me what the birds are.
00:34:40.469 --> 00:34:41.969
I'm an amateur birder,
00:34:42.869 --> 00:34:44.451
so I'm interested in them.
00:34:44.570 --> 00:34:46.150
I'm not as good as many
00:34:47.884 --> 00:34:48.684
But this helps.
00:34:50.025 --> 00:34:51.507
So, you know,
00:34:51.527 --> 00:34:54.710
these are little tricks of the trade.
00:34:54.791 --> 00:34:58.034
I spend a lot of time in the field.
00:34:58.295 --> 00:35:00.137
I think it's important to see the ground,
00:35:00.657 --> 00:35:01.818
to try to understand the ground.
00:35:01.858 --> 00:35:03.300
It's hard, as you well know.
00:35:04.581 --> 00:35:05.561
Long Island doesn't look
00:35:05.601 --> 00:35:06.262
much like Long Island.
00:35:06.282 --> 00:35:06.543
I know, yeah.
00:35:06.563 --> 00:35:07.003
That's it.
00:35:09.347 --> 00:35:10.728
Boston is completely different.
00:35:10.748 --> 00:35:12.730
The outlines of the city are
00:35:12.929 --> 00:35:13.751
utterly different.
00:35:15.211 --> 00:35:16.391
So you have to use your
00:35:16.411 --> 00:35:17.413
imagination in some extent.
00:35:18.353 --> 00:35:20.215
But contemporary maps help.
00:35:22.016 --> 00:35:24.376
So that's part of what I'm about.
00:35:24.456 --> 00:35:26.398
I'm wondering, Rick,
00:35:26.418 --> 00:35:28.019
we're talking with Rick Atkinson,
00:35:28.260 --> 00:35:29.820
author of Fate of the Day,
00:35:29.860 --> 00:35:30.940
The War for America,
00:35:30.981 --> 00:35:32.041
as well as many other
00:35:32.523 --> 00:35:33.362
distinguished books,
00:35:33.382 --> 00:35:35.143
I'm wondering if any
00:35:35.264 --> 00:35:36.965
particular place has moved
00:35:36.985 --> 00:35:38.804
you more than another,
00:35:39.164 --> 00:35:42.106
thinking about the War for Independence.
00:35:42.666 --> 00:35:43.686
We could talk about D-Day,
00:35:43.726 --> 00:35:45.246
we could talk about Sicily,
00:35:45.527 --> 00:35:46.407
lots of other places,
00:35:46.427 --> 00:35:48.487
but what about in the American story?
00:35:48.548 --> 00:35:49.728
What's the place you've gone
00:35:49.748 --> 00:35:53.030
to that has struck you more than others?
00:35:53.070 --> 00:35:54.710
You know, Bob,
00:35:55.710 --> 00:35:56.871
I think the ground speaks to
00:35:56.891 --> 00:35:58.612
you if you're listening carefully.
00:35:59.545 --> 00:36:02.188
And I have spent a lot of
00:36:02.228 --> 00:36:03.449
time on those World War II
00:36:03.489 --> 00:36:04.690
battlefields in North
00:36:04.769 --> 00:36:06.291
Africa and Sicily and Italy
00:36:06.311 --> 00:36:08.213
and Western Europe.
00:36:08.233 --> 00:36:10.014
I've been on most of the
00:36:10.393 --> 00:36:11.715
substantial battlefields
00:36:12.396 --> 00:36:13.436
and in the cemeteries.
00:36:14.639 --> 00:36:16.141
And we don't have cemeteries
00:36:16.442 --> 00:36:18.744
like that for the revolution.
00:36:19.204 --> 00:36:19.766
I'm talking about the
00:36:19.786 --> 00:36:21.128
American battle monuments,
00:36:22.728 --> 00:36:23.710
which are beautifully
00:36:23.769 --> 00:36:25.072
maintained and they're so
00:36:25.713 --> 00:36:26.753
powerful and moving.
00:36:27.614 --> 00:36:28.976
And yet you can still feel
00:36:29.016 --> 00:36:30.737
the same emotion, I think.
00:36:31.298 --> 00:36:33.440
So if you go to Germantown today,
00:36:33.581 --> 00:36:34.322
now Germantown,
00:36:35.163 --> 00:36:36.403
which is five miles north of
00:36:36.443 --> 00:36:38.925
philadelphia and is uh you
00:36:38.985 --> 00:36:40.666
know quite different than
00:36:40.706 --> 00:36:42.387
it was in the seventeen
00:36:42.407 --> 00:36:43.487
seventy seven october
00:36:43.507 --> 00:36:45.510
seventeen seventy seven yet
00:36:45.530 --> 00:36:50.672
um the the central focus of
00:36:50.733 --> 00:36:52.193
the battle of germantown on
00:36:52.273 --> 00:36:54.114
october fourth seventy
00:36:54.155 --> 00:36:55.596
seven is still there and
00:36:55.615 --> 00:36:56.976
that is the shoe house
00:36:58.197 --> 00:36:59.918
shoehouse belonged to uh
00:36:59.978 --> 00:37:01.280
benjamin chu who had been
00:37:02.998 --> 00:37:04.079
a member of the Pennsylvania
00:37:04.119 --> 00:37:04.739
Supreme Court.
00:37:04.780 --> 00:37:05.601
He was a loyalist.
00:37:06.141 --> 00:37:07.041
At the time of the battle,
00:37:07.061 --> 00:37:07.922
he's under arrest.
00:37:07.942 --> 00:37:09.222
He's being held in
00:37:09.922 --> 00:37:11.344
confinement in New Jersey.
00:37:12.284 --> 00:37:16.266
His house was then the biggest,
00:37:17.445 --> 00:37:22.389
most overwhelmingly stolid
00:37:22.429 --> 00:37:24.309
house in Germantown.
00:37:24.769 --> 00:37:26.632
It's a stone house.
00:37:26.652 --> 00:37:26.851
Yeah.
00:37:26.952 --> 00:37:29.233
And yes, it's made out of schist.
00:37:29.773 --> 00:37:31.835
So it looks like a fortress
00:37:31.956 --> 00:37:33.518
and the British make it a fortress.
00:37:33.577 --> 00:37:35.579
So as the battle is
00:37:35.679 --> 00:37:37.141
unfolding and things are
00:37:37.181 --> 00:37:38.242
going well for the Americans,
00:37:38.302 --> 00:37:39.523
it's a surprise attack that
00:37:40.083 --> 00:37:42.125
Washington has organized,
00:37:42.144 --> 00:37:43.947
being inherently aggressive.
00:37:44.666 --> 00:37:45.688
And it's going very well
00:37:45.788 --> 00:37:47.690
until they get to the Chew House,
00:37:47.869 --> 00:37:49.550
which is also called Cliveden.
00:37:50.411 --> 00:37:52.454
And a British regiment
00:37:53.048 --> 00:37:54.630
probably fewer than a hundred men,
00:37:55.570 --> 00:37:57.512
take refuge in the house of
00:37:57.532 --> 00:37:58.952
a very capable commander.
00:37:59.472 --> 00:38:01.233
They barricade the windows,
00:38:01.273 --> 00:38:02.894
they barricade the doors,
00:38:03.594 --> 00:38:04.414
and they hold out.
00:38:04.615 --> 00:38:06.797
And when you're there,
00:38:06.976 --> 00:38:08.036
it doesn't take much
00:38:08.097 --> 00:38:10.699
imagination to see what
00:38:10.858 --> 00:38:12.920
happened that morning.
00:38:14.101 --> 00:38:15.362
What happens is that
00:38:15.601 --> 00:38:17.842
Washington is consulting Henry Knox,
00:38:17.862 --> 00:38:21.045
his artillery chief, and Knox says,
00:38:22.213 --> 00:38:23.313
It would be militarily
00:38:23.393 --> 00:38:24.514
improper to leave a
00:38:24.554 --> 00:38:26.635
fortress in the rear as we
00:38:26.675 --> 00:38:29.496
go past it on our way to
00:38:29.596 --> 00:38:31.115
rounding British encampment
00:38:31.195 --> 00:38:32.637
in the middle of Germantown.
00:38:33.936 --> 00:38:35.737
This is bad advice.
00:38:36.858 --> 00:38:37.938
What should have happened is
00:38:37.978 --> 00:38:39.398
they put a regiment or two
00:38:39.458 --> 00:38:41.380
around the house to isolate it.
00:38:41.900 --> 00:38:42.981
If the British come out,
00:38:43.181 --> 00:38:44.260
they're overwhelmed.
00:38:45.141 --> 00:38:46.342
Washington listens to them.
00:38:47.275 --> 00:38:48.657
Several aides are also
00:38:48.717 --> 00:38:50.177
listening to this colloquy
00:38:50.197 --> 00:38:51.018
that's going on,
00:38:52.059 --> 00:38:53.018
including Alexander
00:38:53.059 --> 00:38:54.239
Hamilton and John Lawrence.
00:38:54.260 --> 00:38:55.460
And they're basically saying, no,
00:38:55.481 --> 00:38:55.920
that's wrong.
00:38:56.021 --> 00:38:57.342
That's not right.
00:38:57.382 --> 00:38:58.061
Go around.
00:38:58.141 --> 00:38:58.623
Keep going.
00:38:58.643 --> 00:38:59.603
You've got momentum.
00:39:00.163 --> 00:39:01.523
Well, Washington,
00:39:01.923 --> 00:39:04.266
the whole momentum of the
00:39:04.286 --> 00:39:06.507
battle stops there.
00:39:07.708 --> 00:39:08.047
You know,
00:39:08.407 --> 00:39:09.989
and it turns into a route for the
00:39:10.009 --> 00:39:10.329
Americans.
00:39:10.349 --> 00:39:11.869
The British counterattack.
00:39:11.889 --> 00:39:13.130
They pull themselves together.
00:39:13.914 --> 00:39:14.655
It's a counterattack.
00:39:14.675 --> 00:39:16.396
They drive the Americans out
00:39:16.436 --> 00:39:17.215
of Germantown.
00:39:17.295 --> 00:39:20.416
It's another pretty substantial defeat.
00:39:22.117 --> 00:39:24.036
You know, when I'm there,
00:39:24.436 --> 00:39:26.137
and you can go into the Chew House,
00:39:26.177 --> 00:39:27.858
it's a bit dilapidated.
00:39:27.898 --> 00:39:28.958
And we'll hope that the
00:39:29.597 --> 00:39:31.097
state of Pennsylvania or
00:39:31.719 --> 00:39:32.599
Philadelphia County or
00:39:32.639 --> 00:39:34.898
whatever does the right
00:39:34.918 --> 00:39:36.099
thing and makes sure that
00:39:36.139 --> 00:39:38.059
it is preserved for future generations.
00:39:39.784 --> 00:39:41.425
again you can feel it you
00:39:41.465 --> 00:39:43.606
can feel it wow there are
00:39:43.646 --> 00:39:44.365
quite a few men who are
00:39:44.405 --> 00:39:45.766
killed right there on that
00:39:45.806 --> 00:39:47.626
doorstep trying to get into
00:39:47.646 --> 00:39:49.507
the windows the accounts of
00:39:49.547 --> 00:39:52.710
it are brutal and vivid and
00:39:52.769 --> 00:39:54.971
so when I'm at a place like
00:39:55.010 --> 00:39:57.972
that uh I feel back two
00:39:57.992 --> 00:40:00.072
hundred fifty years ago the
00:40:00.112 --> 00:40:03.094
the anguish of that moment wow well
00:40:03.748 --> 00:40:04.969
Thinking both about James
00:40:05.010 --> 00:40:06.271
Madison and Abraham Lincoln
00:40:06.311 --> 00:40:08.733
evoking those every patriot
00:40:08.773 --> 00:40:10.233
grave and battlefield,
00:40:10.293 --> 00:40:12.054
those mystic chords of
00:40:12.114 --> 00:40:13.295
memory that then stretch to
00:40:13.356 --> 00:40:14.516
every heart and hearthstone,
00:40:14.536 --> 00:40:16.579
you can really feel it from these places,
00:40:16.599 --> 00:40:18.840
which you really bring to
00:40:18.880 --> 00:40:20.061
life in this book.
00:40:20.081 --> 00:40:22.402
I know we could go on all day, I know,
00:40:22.463 --> 00:40:24.664
but you have to get to volume three.
00:40:26.827 --> 00:40:27.907
Any last words you would
00:40:27.927 --> 00:40:29.869
like to give us or let you go, Rick?
00:40:31.141 --> 00:40:31.902
No, Bob, thank you.
00:40:31.922 --> 00:40:34.246
It's always a delight talking with you.
00:40:34.306 --> 00:40:35.228
And, you know,
00:40:35.248 --> 00:40:37.190
I always learn things from you.
00:40:37.210 --> 00:40:39.552
I, you know,
00:40:39.813 --> 00:40:41.835
I think that as we swing into
00:40:41.876 --> 00:40:43.358
the semi-quincentennial,
00:40:43.518 --> 00:40:44.438
the two hundred fiftieth
00:40:45.179 --> 00:40:47.402
anniversary of the country's founding.
00:40:47.967 --> 00:40:49.268
It's a real opportunity for
00:40:49.347 --> 00:40:52.831
people to renew their ties
00:40:52.871 --> 00:40:55.454
to that generation of
00:40:55.474 --> 00:40:58.117
founders and those who we
00:40:58.157 --> 00:40:59.298
don't consider founders,
00:40:59.438 --> 00:41:00.679
but we're just there and
00:41:01.001 --> 00:41:02.541
we're participating in the
00:41:02.581 --> 00:41:04.905
struggle for independence.
00:41:07.603 --> 00:41:08.523
in the same way that we did
00:41:08.543 --> 00:41:09.463
in the bicentennial,
00:41:09.503 --> 00:41:10.465
it's kind of an opportunity
00:41:10.485 --> 00:41:11.925
to renew vows of sorts.
00:41:12.846 --> 00:41:14.947
But I'm hopeful that people
00:41:14.967 --> 00:41:16.166
will take the opportunity
00:41:16.768 --> 00:41:18.969
again to feel a connection
00:41:20.429 --> 00:41:23.771
with those forebearers of ours.
00:41:24.150 --> 00:41:25.771
Yeah, very true.
00:41:25.791 --> 00:41:26.572
So thank you so much.
00:41:26.592 --> 00:41:27.913
We've been talking with,
00:41:28.032 --> 00:41:29.793
and the crowds we've seen at events.
00:41:30.315 --> 00:41:30.894
Last weekend,
00:41:30.914 --> 00:41:32.795
we had tremendous events at Chelsea Creek,
00:41:32.956 --> 00:41:34.697
a place that hasn't been commemorated,
00:41:34.757 --> 00:41:34.876
but
00:41:35.583 --> 00:41:37.425
And next week we have Bunker
00:41:37.465 --> 00:41:39.306
Hill and we've had events
00:41:39.405 --> 00:41:40.947
at Lexington and Concord.
00:41:41.327 --> 00:41:42.786
People are coming out for this.
00:41:42.847 --> 00:41:44.807
People do want this sense of renewal,
00:41:44.867 --> 00:41:48.389
the sense of identifying with this cause,
00:41:48.429 --> 00:41:50.670
this story, which really is so important.
00:41:51.311 --> 00:41:52.192
And we've seen that actually
00:41:52.251 --> 00:41:55.213
also in the response to our podcast.
00:41:55.253 --> 00:41:56.833
We've had eighty thousand
00:41:56.873 --> 00:41:58.755
downloads of episodes in
00:41:58.894 --> 00:41:59.835
actually in one hundred
00:41:59.875 --> 00:42:01.456
countries and thirty eight
00:42:01.496 --> 00:42:02.416
hundred cities.
00:42:02.436 --> 00:42:02.536
Wow.
00:42:04.650 --> 00:42:05.530
And every week we like to
00:42:05.570 --> 00:42:06.952
thank some folks we know
00:42:06.992 --> 00:42:08.733
are regular listeners.
00:42:08.753 --> 00:42:09.552
So if you're in one of these
00:42:09.592 --> 00:42:11.454
places and want to connect
00:42:11.474 --> 00:42:12.815
with Jonathan Lane and get
00:42:12.835 --> 00:42:13.355
some of our Rev.
00:42:13.375 --> 00:42:14.355
Two Fifty swag,
00:42:14.375 --> 00:42:15.715
send him an email at jlane
00:42:15.755 --> 00:42:18.117
at revolution two five o dot org.
00:42:18.597 --> 00:42:20.257
So this week I want to thank
00:42:20.318 --> 00:42:23.338
our listeners in Pittsburgh, Reston,
00:42:23.358 --> 00:42:23.878
Virginia,
00:42:24.079 --> 00:42:25.820
here in Massachusetts at Taunton,
00:42:25.860 --> 00:42:28.460
Reading and Medford, Passaic, New Jersey,
00:42:28.561 --> 00:42:30.202
Spartanburg, South Carolina,
00:42:30.934 --> 00:42:32.516
And Wayne, Pennsylvania,
00:42:32.775 --> 00:42:34.036
named for a character we
00:42:34.056 --> 00:42:35.157
didn't talk about today,
00:42:35.177 --> 00:42:36.559
but maybe next time we can.
00:42:37.039 --> 00:42:39.282
Heath and Steubenville in Ohio,
00:42:39.543 --> 00:42:40.262
named for two other
00:42:40.284 --> 00:42:41.485
revolutionary characters,
00:42:41.525 --> 00:42:43.847
as well as Tel Aviv, Frankfurt,
00:42:44.086 --> 00:42:45.568
all places between and beyond.
00:42:45.608 --> 00:42:46.590
Thanks for joining us.
00:42:46.789 --> 00:42:48.251
And now we'll be piped out
00:42:48.672 --> 00:42:49.672
on the road to Boston.